“Wing Chun is all about guarding your center line,” Downey tells me, talking about the place where the touchy-feely art of Wing Chun kung fu meets philosophy of life. “Don’t fight force with force; use to hands at the same time; concentrate on your own thing; and after you have that dialed in, effect the balance, look for openings, look for arms to be crossed.”
For almost twenty years, Qi Magazine featured original articles on kung fu, qigong, and other facets of Chinese culture, many written specifically by and for martial artists. (Qi Magazine is not to be confused with Qi Journal, which seems more targeted to the Goji berry set.)
Qi Magazine ceased production in early 2009, and publisher Michael Tse has since opened the archives.
Grandmaster Ip Man—the man who ushered Wing Chun kung fu out of obscurity, and presided over the instruction of a young Bruce Lee—is the subject of a exciting new Hong Kong biopic. Action star Donnie Yen portrays the petite but powerful Ip in early adulthood, as wealthy playboy and martial arts fanatic.
Martial arts are systems of codified practices and traditions of training for combat. While they maybe studied for various reasons, martial arts share a single objective: to defeat a person physically or to defend oneself from physical threat.
Wikipedia’s simplistic definition begs the question: martial arts are martial arts. The statement itself is neither true nor untrue—it is a game rule—but it does reflect an ignorance of, or perhaps a malevolence towards historical facts. Taken at face value, it encourages a dismissive, one-dimensional analysis of the arts’ tremendous potential.
To avoid limiting our achievement in the martial arts, we should begin with an honest and dispassionate accounting of the past. What was the real original purpose of various “martial arts”?
The first clues may be found in our forefathers’ own speech and writings.
For far too long I’ve sat idly by, twiddling my thumbs and respecting the right of others to form thoughts and opinions independent of my own, and I can’t take it anymore. I’ve got to speak up about the many things that annoy me or I’m going to go crazy. Take these new credit cards with the microchips in them, for instance. Man, those things really get my goat—trying to improve a device that was working perfectly fine as it was. Even worse are those wrappers on CDs that take forever to open. But you know what I hate the most? The one thing that makes my blood boil whenever I see it? Anything beyond my mental capacity, that’s what.
EliteXC Primetime, headlined by Kimbo Slice and Gina Carano
I’ve always known that, sooner or later, the Chinese art of Wing Chun Kuen would be represented in a professional mixed martial arts bout. I just didn’t expect to see it in MMA’s historic prime-time debut.
On May 31, 2008, “Ruthless” Robbie Lawler forever settled any reasonable doubts about Wing Chun’s viability in real combat. And he did it by accident.
Long before the invention of the blog, and even before the creation of the World Wide Web, there was Usenet. The world’s first electronic social network was established in 1980, and martial artists have been arguing there ever since.
Back in the late 1990s, I started reading the rec.martial-arts newsgroup as most people do, with posts sorted by discussion topic. I soon discovered that, since 90% of the replies on any given topic were rubbish, it made more sense to sort by author instead. Although I abandoned rec-martial arts years ago, due to its low-signal-to-noise ratio, I can still remember the names of some of my favorite writers. At the top of that list, I place the mysterious Ordosclan, also known as Turiyan Gold.
I don’t know Ordosclan’s real name, or his training history. I don’t know how many of his posts were written under the influence of anti-psychotic medication, as his critics claimed. Perhaps not enough of them.
Ordosclan’s martial arts commentaries were sagacious and entertaining, sometimes cryptic and unfortunately brusque. In honor of Black Belt Mama’s Admired Martial Artists Month, I’d like to highlight a few:
In boxing, the boxer keeps his hands up on either side of his face for protection. Punches are thrown from this position. One hand goes out, the other stays by the face for protection.
Why does karate require that you throw a punch from the hip? What is gained by this?
The point of pulling the fists back is to open the chest. Doing so during stance changes makes it harder to use the arms for balance. It’s not for punching. Punches done from the hip are just a training exercise. The Japanese simply copied basic Shaolin from the Chinese. Some teachers try and read ridiculous theories into why something is the way it is: “It’s for qi,” “it’s for jing,” “It trains you to monkey elbow a guy that puts you in a bear hug from behind”, etc.
If you start taking things out of MA that are not combat-relevant, you’re left with punches and kicks, knees and headbutts. The simple answer is: it’s not martially oriented. Its just a myth that Shaolin monks are/were “fighting” monks. That’s nonsense. And everyone knows it.