Shinjido inventor Danny Da Costa says:
Shinjido literally means Danny’s Way, a label given by one of my students to the variety of techniques that I have developed for martial art. I attempt to find the easiest solution to a problem either in attack or defence. My work is based on sound principles and the techniques serve to demonstrate the principles. I have applied this approach to judo starting from the premise that our sport is fighting within specific rules and limitations…
Many experienced martial artists believe that, of all the different categories of training partners, absolute beginners are the most dangerous. To outsiders, this sounds like a paradox. Shouldn’t those with the least martial arts training be the least dangerous?
It is not truly a paradox, only a misconception. And not all white belts are dangerous, obviously. But those that are, if only on the mat, are so for the following reasons.
Their goal is always to win. They don’t yet understand the difference between trying to win, and trying to cultivate the skills that one uses to win. Real fights are chaotic affairs, and chaos is not a proper breeding ground for skill development; thus, training in respectable martial arts consists of a series of games, first introducing support structures (e.g. rules and conventions), then dismantling them one step at a time.
The need for, or value in this approach is not obvious–and it is not always explained at the outset. So some white belts never appreciate the context of their practice. Others consider themselves above the “organized despair” of the “traditional mess,” and when a rule stands between them and a sparring victory, they break it without hesitation. The conventions and rules of training, they reason, are “unrealistic in a real fight.”
A Martial Development Meta-Investigation
I can see inside Vyacheslav Bronnikov’s head.
Not because I possess the disputed X-ray vision skills–though if I did, I would probably keep quiet about it. No, I’m just saying that I may understand what Bronnikov was thinking when he did what he did.
I should back up, and tell the tale from the start. Derren Brown is a renowned ‘psychological illusionist,’ a performer who combines magic, suggestion, psychology, misdirection and showmanship in order to seemingly predict and control human behavior. Imagine a younger, more talented, and more personable version of James Randi…
For the past ten years Derren has created TV and stage performances that have stunned audiences, debunked the paranormal and encouraged many to improve and enhance their own mental abilities. His first show appeared in 2000, Derren Brown: Mind Control, and followed with Trick of the Mind, Trick or Treat and a series of Specials including the controversial Russian Roulette and the hugely popular Events.
In the second episode of his latest television series, Darren Brown Investigates…, the illusionist set out to test The Bronnikov Method of human potential development. Created by Vyacheslav M. Bronnikov, this system–based in ancient Tibetan Yoga–promises to awaken dormant human skills and abilities, among them the ability to see while blindfolded, or indeed with no eyes at all.
Derren traveled to a Bronnikov seminar in Belgium, accompanied a woman who has been legally blind for more than a decade. As for what happened next…
Sensei Pacer is not only a former member of The Power Team, a crew of Christian Evangelist strongmen. He is also a personal trainer, and the founder of Hip Hop Martial Arts.
Master Sensei Pacer likes to say that “nobody in the world moves like Sensei Pacer.”
Suzi Wong, Fytedancer
Sorry, Sensei Pacer, but I know someone who moves like Sensei Pacer!
The good folks at Aikido Journal recently picked up one of my self-defense anecdotes, considering it an interesting example of real-world Aikido technique.
Well, some of them did, anyway. One reader posted this amusing retort:
“I hereby motion for more examples of self-defense where at least one punch was thrown at the author.”
Around a decade ago, I attended a seminar with a famous Shanxi Xingyiquan master. Aggressive and direct, Xingyi is one of the few boxing arts known to have been used in preparation for organized warfare. Its emphasis on straightforward practicality was combined with enough subtlety to earn a reputation as one of the original Chinese “internal” martial arts.
After the seminar was over, I bought a T-shirt to commemorate the occasion. According to the text on the back of my new shirt, I was now an unofficial member of “The International Association of Defensive Martial Arts”.
Nevermind that we had spent the last 6 hours eviscerating each other with spears, sabers and bayonets, metaphorically speaking. Nevermind that, according to the principles of Xingyi and all other respectable combat arts, the use of purely defensive techniques is forbidden. Despite all this, in public, we were expected to present ourselves as practitioners of self-defense. Not offense.
Rewriting History, Wiki Style
Martial arts are systems of codified practices and traditions of training for combat. While they maybe studied for various reasons, martial arts share a single objective: to defeat a person physically or to defend oneself from physical threat.
Wikipedia’s simplistic definition begs the question: martial arts are martial arts. The statement itself is neither true nor untrue—it is a game rule—but it does reflect an ignorance of, or perhaps a malevolence towards historical facts. Taken at face value, it encourages a dismissive, one-dimensional analysis of the arts’ tremendous potential.
To avoid limiting our achievement in the martial arts, we should begin with an honest and dispassionate accounting of the past. What was the real original purpose of various “martial arts”?
The first clues may be found in our forefathers’ own speech and writings.
After reviewing the training methods of Qi Dao, Kumar Frantzis suggested that such material would be more precisely labeled as shen gong, or spiritual cultivation, rather than as qi gong (energy cultivation). While I cannot disagree with his observation, it seems to me that most English-speaking qigong enthusiasts are in fact seeking self-realization, harmony and peace of mind—not merely a vehicle for increased physical vitality—so some imprecision can be forgiven here.
Qi Dao: The Art of Being in the Flow is (to my knowledge) the first English book on the obscure Tibetan art of Shamanic Qigong, or trul khor. Written by Lama Somananda Tantrapa, an ordained Buddhist monk and longtime martial artist, Being in the Flow introduces the basics of this unique brand of Tibetan Yoga.
In his final years, the founder of Aikido was seen to demonstrate many skills that defy the layman’s understanding of physics. Ueshiba sensei reportedly used sen sen no sen and psychic powers to disrupt his opponent’s attacks, threw attackers without touching them, or simply disappeared and reappeared in a safer location.
O-Sensei’s disciples and descendants are unable to repeat his incredible demonstrations. Instead, modern Aikido dojos will introduce ki (life energy) principles to their students with the help of a crude parlor trick: orenaite, or the “unbendable arm”.
A contractual relationship with your martial arts school could end miserably; former classmates and I know this from experience. Despite this experience, I believe that the potential benefits of a contract to the student outweigh the risks.
Before I explain the benefit, let me tell you the tale of an Aikido dojo gone sour.