Around a decade ago, I attended a seminar with a famous Shanxi Xingyiquan master. Aggressive and direct, Xingyi is one of the few boxing arts known to have been used in preparation for organized warfare. Its emphasis on straightforward practicality was combined with enough subtlety to earn a reputation as one of the original Chinese “internal” martial arts.
After the seminar was over, I bought a T-shirt to commemorate the occasion. According to the text on the back of my new shirt, I was now an unofficial member of “The International Association of Defensive Martial Arts”.
Nevermind that we had spent the last 6 hours eviscerating each other with spears, sabers and bayonets, metaphorically speaking. Nevermind that, according to the principles of Xingyi and all other respectable combat arts, the use of purely defensive techniques is forbidden. Despite all this, in public, we were expected to present ourselves as practitioners of self-defense. Not offense. [Read more →]
Martial arts are systems of codified practices and traditions of training for combat. While they maybe studied for various reasons, martial arts share a single objective: to defeat a person physically or to defend oneself from physical threat.
~ Wikipedia
Wikipedia’s simplistic definition begs the question: martial arts are martial arts. The statement itself is neither true nor untrue—it is a game rule—but it does reflect an ignorance of, or perhaps a malevolence towards historical facts. Taken at face value, it encourages a dismissive, one-dimensional analysis of the arts’ tremendous potential.
To avoid limiting our achievement in the martial arts, we should begin with an honest and dispassionate accounting of the past. What was the real original purpose of various “martial arts”?
The first clues may be found in our forefathers’ own speech and writings. [Read more →]
After reviewing the training methods of Qi Dao, Kumar Frantzis suggested that such material would be more precisely labeled as shen gong, or spiritual cultivation, rather than as qi gong (energy cultivation). While I cannot disagree with his observation, it seems to me that most English-speaking qigong enthusiasts are in fact seeking self-realization, harmony and peace of mind—not merely a vehicle for increased physical vitality—so some imprecision can be forgiven here.
Qi Dao: The Art of Being in the Flow is (to my knowledge) the first English book on the obscure Tibetan art of Shamanic Qigong, or trul khor. Written by Lama Somananda Tantrapa, an ordained Buddhist monk and longtime martial artist, Being in the Flow introduces the basics of this unique brand of Tibetan Yoga. [Read more →]
In his final years, the founder of Aikido was seen to demonstrate many skills that defy the layman’s understanding of physics. Ueshiba sensei reportedly used sen sen no sen and psychic powers to disrupt his opponent’s attacks, threw attackers without touching them, or simply disappeared and reappeared in a safer location.
O-Sensei’s disciples and descendants are unable to repeat his incredible demonstrations. Instead, modern Aikido dojos will introduce ki (life energy) principles to their students with the help of a crude parlor trick: orenaite, or the “unbendable arm”. [Read more →]
A contractual relationship with your martial arts school could end miserably; former classmates and I know this from experience. Despite this experience, I believe that the potential benefits of a contract to the student outweigh the risks.
Before I explain the benefit, let me tell you the tale of an Aikido dojo gone sour. [Read more →]
To the ancient Romans, the concept of a non-violent martial art would be nonsensical. Their literal definition of martial was “belonging to Mars”, the god of war. Modern usage of the term martial arts, however, is hardly related to military strategy and tactics.
Today, most popular martial arts are practiced without arms. Considering this shift in focus, from immediate and practical skills to more abstract and long-term benefits, it is reasonable to ask whether violent destructive potential is still necessary at all.
Is a non-violent martial art worthy of study? [Read more →]
It is a common sentiment among Aikido practitioners that their martial art is a lot like dancing.
With all due respect, most Aikidoka have got nothing on these guys. These two videos illustrate the body skills resulting from diligent solo practice, skillswhich cannot be gained by practicing with a partner in the dojo.
Martial arts is one of those rare arenas where people show their true personality, without disguise or pretense. Unfortunately, some of these people are real nut jobs!
Here are three short stories of artifice and cowardice, taken from my experience in the gentle art of Aikido. [Read more →]
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