In New York Magazine, Kyle Buchanan laments the decline of the modern action movie:
…Actors often brag about how much Krav Maga or karate or capoeira they had to learn for their roles, but to judge from the onscreen world of modern action movies, that kind of skill set is hardly rare: A built-in understanding of martial arts is instilled in everyone, be they hero, villain, or mere henchman. (Fortunately, heroes always get to fight off bad guys who somehow know the exact same form of martial arts they do.) Too often, it seems like movies grind to a halt for obligatory hand-to-hand combat with low stakes and little invention, as though the screenwriter typed, “A fight breaks out,” and the director left it up to the second unit and fight coordinator to fill three minutes.
With little in the way of stakes, a sameness in presentation, and no blood or bruises, martial arts have turned action scenes into dance scenes…Gone are the days when a fight might involve a gun, a makeshift weapon, or a hit that actually hurts.
Mr. Buchanan misremembers the history of violence in cinema.
From The Legend of Master Legend:
Ace and Master Legend
Master Legend races out the door of his secret hide-out, fires up the Battle Truck and summons his trusty sidekick. “Come on, Ace!” he yells. “Time to head into the shadows!”
The Ace appears wearing his flame-accented mask and leather vest; Master Legend is costumed in his signature silver and black regalia. “This is puncture-resistant rubber,” Master Legend says proudly, pointing at his homemade breastplate. His arms are covered with soccer shinguards that have been painted silver to match his mask. “It won’t stop a bullet,” he says, “but it will deflect knives.”
“Not that any villain’s knives have ever gotten that close!” the Ace chimes in.
“I am Nyx–formerly Hellcat, Felinity, and Sphynx (I had a penchant for name-changes). Like the night, I cannot be proven or disproven…”
When Master Legend bursts into a sprint, as he often does, his long, unruly hair flows behind him. His mane is also in motion when he’s behind the wheel of the Battle Truck, a 1986 Nissan pickup with a missing rear window and “ML” spray-painted on the hood. He and the Ace head off to patrol their neighborhood on the outskirts of Orlando, scanning the street for evildoers. “I don’t go looking for trouble,” Master Legend shouts above the engine. “But if you want some, you’ll get it!”
Batman: The Dark Knight
Excerpted from Dark Knight Shift: Why Batman Could Exist—But Not for Long by J.R. Minkel:
Batman is the most down-to-earth of all the superheroes. He has no special powers from being born on a distant world, or bitten by a radioactive spider. All that protects him from the Joker and other Gotham City villains are his wits and a physique shaped by years of training—combined with the vast fortune to reach his maximum potential and augment himself with Batmobiles, Batcables and other Bat-goodies, of course.
To investigate whether someone like Bruce Wayne could physically transform himself into a one-man wrecking crew, ScientificAmerican.com turned to E. Paul Zehr, associate professor of kinesiology and neuroscience at the University of Victoria in British Columbia and a 26-year practitioner of Chito-Ryu karate-do. Zehr’s book, Becoming Batman: The Possibility of a Superhero, is due out in October 2008.
What’s most plausible about portrayals of Batman’s skills?
You could train somebody to be a tremendous athlete and to have a significant martial arts background, and also to use some of the gear that he has, which requires a lot of physical prowess. Most of what you see there is feasible to the extent that somebody could be trained to that extreme. We’re seeing that kind of thing in less than a month in the Beijing Olympics.
What’s less realistic?
A great example is in the movies where Batman is fighting multiple opponents and all of a sudden he’s taking on 10 people.
This is Zen:
Two hands clap and there is a sound. What is the sound of one hand?
This is not Zen:
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