Where did Steven Seagal go wrong? His early movies—Hard to Kill, Out for Justice, Under Siege—reinvigorated the action genre, with their breathtaking displays of no-holds-barred Aikido.
His next two-dozen films weren’t so well received, or so I hear. I didn’t watch them myself.
It wasn’t the thin plots or dull acting that eventually turned me off Steven Seagal’s work; it was his characters, or rather his character. [Read more →]
On the unusual Chinese style of kung fu known as Zui Quan, or drunken boxing, Bruce Kumar Frantzis writes:
Eight Drunken Immortals [style] stresses several unusual martial qualities. It embodies more joint- and body-folding techniques than any other external or internal/external martial art. It imparts the ability to fold the body like a rag doll, thus enabling the practitioner to both block and attack from quite unpredictable angles with every part of the body, including the buttocks and back. The extreme body folding skill of the Drunken boxers makes it virtually impossible to apply joint locks on them.
Eight Drunken Immortals is neither a “this or that” style, and equally uses punches, hand and finger strikes, and a large assortment of usual and unusual kicks from odd angles, joint-locks, all kinds of throws, both upright and crouching, and extensive use of the legs while on the ground.
The precise control of their own and their opponent’s space enables Drunken boxers to create optical illusions and use deception to great advantage. Another weight displacement focus is the ability to make any point on the body, say an elbow tip, head, tantien, or knee become the center of balance and movement, and then to rapidly change at will from any of multiple balance points to another. Such maneuvering allows Drunken boxers to appear totally unbalanced when in fact their balance is perfect. Thus, multiple traps are set for an unsuspecting opponent.
Most of the performances you will see at tournaments, in video games and movies are only theatrical imitations of genuine Zui Quan—but that is no reason not to enjoy them! Here are a few of my favorite drunken boxing movie scenes: [Read more →]
Shilpa Shetty
Black belt karateka and Bollywood star
Karate (1983)
Starring: Mithun Chakraborty and Yogita Bali
IMDB reviews say: “An abomination to Indian movies and martial arts…pure garbage…watch this movie only if you are considering killing yourself.”
Karate
Dog Bite Dog [Amazon.com] [Netflix] [IMDB]
After a Cambodian child slave turned assassin completes his assignment, he in turn becomes the target of a vengeful Hong Kong cop. There are no heroic figures in Dog Bite Dog, and no glorification of violence. This stunningly brutal film illustrates an unfortunate truth: the fight isn’t over until everyone is satisfied, and nobody is content with a loss. [Read more →]
Steven Seagal reaches new heights of self-parody, in this scene from his latest movie Shadow Man:
Steven Seagal: So the idea of dim mak, or any kind of internal technique, is not to hurt others but to help others. Dim mak can be used to heal people, it can be used to kill people. This is the nature of chi. Chi can be used in striking for just external, or internal. If you go to the internal organs you’ll do great damage; external, you can just move them a little. [Applies ji posture to send Student 1 reeling backwards.] Or, you can go internal. [Strikes watermelon held by Student 2, ruining lunchtime for everyone.]
Musashi duels on the beach
Samurai Trilogy: Musashi Miyamoto (3 films)
Based on a true story, Samurai chronicles the transformation of a violent, headstrong youth (played by Toshiro Mifune) into one of history’s greatest swordsmen. Samurai won the Academy Award for best foreign film in 1955, and is regarded by many as Japan’s own Gone With the Wind. [Read more →]
The Tai Chi Master (太極宗師)
Have you ever wondered how the slow and graceful movements of Tai Chi could possibly be applied in a real fight? If so, this expertly choreographed movie will give you some ideas.
In The Tai Chi Master, Chinese action hero Wu Jing (a.k.a. Jacky Wu, Jason Wu) portrays real-life master Yang Lu-Chan, the founder of Yang Style Tai Chi. Here, Wu Jing re-enacts the famous tower sequence from Bruce Lee’s Game of Death. [Read more →]
In 1970, a young martial arts instructor embarked upon an ambitious project. His goal: to teach America about the full potential of martial arts, as a vehicle for both physical betterment and spiritual evolution. His name: Bruce Lee. [Read more →]
If you know Jackie Chan strictly from his American films—The Tuxedo, Shanghai Knights, and other assorted stinkers—then you don’t know Jackie Chan at all. To appreciate the brilliant physical ability that made him an international action hero, you need to see his earlier work. Here are a few of his best movies, from his prime years in the 80s and early 90s. [Read more →]
The old master role is a staple of the kungfu movie genre. This wise sensei or sifu embodies the qualities of wisdom, experience and restraint, tempering the young hero’s reckless energy and guiding them in their fight against injustice.
Some of the actors portraying old-school masters were trained only in movie-fu—the art of looking good on camera—but others were accomplished martial artists and opera performers in their own right. Those in the latter category executed difficult fight choreography with speed and grace; like fine wines, they grow more impressive with age. [Read more →]
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