The best warm-up exercises do more than increase your heart rate. They build flexibility, strength, balance and coordination, in a way that is relevant and beneficial to your martial art.
Here is one of my favorite exercises for loosening the kwa, or hip region. Tim Cartmell demonstrated it at a recent seminar in Seattle. [Read more →]
In these video clips, Tai Chi master Peng Youlian demonstrates a fusion of Chinese and Canadian cultures: Tai Chi Hockey Stick. Peng is one of the only surviving masters of this rare weapon form. [Read more →]
Attaining competency in Tai Chi Chuan requires hundreds of hours of correct form practice, and mastery requires thousands more. One impediment to sustained practice is a lack of interest: Tai Chi forms are too boring to perform daily.
Perseverance in the face of boredom builds character; however, feelings of boredom may be a sign that your learning has stalled. To keep your practice fresh, productive and fun, try performing these variations on your standard Tai Chi forms. [Read more →]
It is a common sentiment among Aikido practitioners that their martial art is a lot like dancing.
With all due respect, most Aikidoka have got nothing on these guys. These two videos illustrate the body skills resulting from diligent solo practice, skillswhich cannot be gained by practicing with a partner in the dojo.
The classification of Chinese martial arts into two families—internal and external—is generally accepted without question. Despite its popularity, the precise definition and significance of these families is not universally agreed upon.
What is the origin of the internal/external categorization? And what should it mean to you as a martial artist? [Read more →]
One of the gentlemen in my practice group alerted me to this video clip. Henry Wang, an expert in the Cheng Man-ching style of Taiji, repeatedly bounces a puncher away through his own punch. Not only that, but he is sitting on a table, with his feet off the ground, while he does it!
Attempts to categorize the various styles of martial arts practice typically place them into one of two groups: striking or grappling, soft or hard, internal or external, etc. But this type of classification is overly broad and misleading; all comprehensive martial arts transcend simple dualism.
Here is a different model you can use to describe and analyze your training. This model is based upon four distinct stages of movement practice. Each stage contains unique challenges, and attaining mastery at each stage confers specific benefits. [Read more →]
Looking beyond duality is the king-like view;
defeating all distractions is the king-like practice;
the practice of non-practice is the deed of the Buddhas.
Stability is a critical component of martial application. Without stability, your ability to apply force, or withstand an opponent’s force, is severely compromised.
Stability is a function of strength and balance. And the easiest way to improve your balance is to adjust your posture.
I learned this postural adjustment tip from a Russian martial artist in Portland. I like it because it is simple, effective, and requires very little skill to implement. If you are a student of Chinese or Japanese martial arts, there’s a good chance you’ve never heard this tip before.